The Girlfriend Movie Review

Review
Cast – Rashmika Mandanna, Dheekshith Shetty, Anu Emmanuel, Rohini Molleti, Rao Ramesh, Rahul Ravindran
Directors – Rahul Ravindran
Producers – Allu Aravind, Dheeraj Mogilineni, Vidya Koppineedi
Banner – Geetha Arts, Mass Movie Makers, Dheeraj Mogilineni Entertainments
Music – Hesham Abdul Wahab
Runtime – 2 Hrs 18 Mins
Genre – Romantic Drama
Release Date – 07-11-2025

Background
Rahul Ravindran returns after a hiatus with a socially relevant subject that explores emotional manipulation in relationships. Known for his sensitive storytelling in “Chi La Sow”, he now attempts a darker, more layered narrative. Rashmika Mandanna headlines the film with a performance-driven role that demands emotional range. Dheekshith Shetty plays a complex male lead, while Anu Emmanuel adds depth with a pivotal supporting role. The film stirred buzz due to its trailer and a social media controversy, raising expectations. With Geetha Arts backing the project, the production values are solid. The music by Hesham Abdul Wahab promised a soulful experience. The director’s intent was to spark conversation around gaslighting and emotional abuse. The film’s tone is unapologetically serious, aiming to resonate with women and provoke thought. It’s a narrative that challenges traditional romantic tropes and dives into psychological realism.

Plot
Bhooma Devi, a literature student, joins a Hyderabad college with dreams of becoming an author. Vikram, a computer science student, is drawn to her and begins manipulating her emotionally. Initially hesitant, Bhooma falls for Vikram, unaware of his controlling nature. As their relationship deepens, Vikram’s obsession grows. Bhooma begins to question her choices and emotional well-being. The arrival of Durga, a mysterious figure from Vikram’s past, adds tension. The story unfolds through layers of emotional trauma, manipulation, and self-realization. The climax forces Bhooma to confront her truth and reclaim her agency.

Artists Performances
Rashmika Mandanna delivers a career-defining performance, portraying Bhooma with vulnerability and strength. Dheekshith Shetty impresses as the narcissistic Vikram, though he occasionally overacts. Anu Emmanuel makes a strong comeback with a restrained yet impactful role. Rohini Molleti leaves a mark in a brief but powerful scene. Rao Ramesh plays a conflicted father, though his character arc feels underwritten. Rahul Ravindran appears in a minor role as a professor, lending quiet support. The chemistry between the leads is intense and unsettling. Emotional scenes are elevated by the cast’s commitment. Rashmika’s breakdown in the climax is particularly memorable. The ensemble supports the narrative without overshadowing the leads.

Technicalities
Hesham Abdul Wahab’s music is haunting and blends seamlessly with the film’s mood. Krishnan Vasant’s cinematography is visually rich, especially in the mirror and shower sequences. Editing by Chota K Prasad could have been tighter, especially in the first half. The production design captures the college atmosphere authentically. Costume design subtly reflects character evolution. Sound design enhances the emotional beats effectively. Dialogues are sharp, especially in confrontational scenes. The screenplay is ambitious, though occasionally indulgent. Direction is focused, with a clear thematic intent. Overall, the technical team supports the film’s emotional core.

Positives

1. Rashmika’s emotionally charged performance
2. Strong, socially relevant theme on gaslighting
3. Soulful music that enhances the narrative
4. Visually impactful sequences and direction

Negatives

1. Slow pacing, especially in the first half
2. Rao Ramesh’s character lacks nuance
3. Overemphasis on male negativity without balance

Analysis
The Girlfriend is not your typical romantic drama. It dares to explore the dark underbelly of relationships, particularly the emotional manipulation women often endure. Rahul Ravindran crafts a narrative that is both intimate and unsettling. The film’s strength lies in its unflinching portrayal of gaslighting, a topic rarely addressed in mainstream Telugu cinema. Rashmika’s Bhooma is not a passive victim; she evolves, questions, and ultimately reclaims her voice. Her performance is layered, especially in scenes where she silently processes trauma. Dheekshith Shetty’s Vikram is a disturbing portrayal of a man who masks control as affection. The film’s structure is deliberate, with key emotional beats spaced out to build tension. The pre-interval sequence and the climax are standout moments. However, the film falters in its pacing. The first half meanders, and some scenes feel repetitive. Rao Ramesh’s character, meant to represent patriarchal rigidity, is written with little complexity. The film’s message is clear, but its delivery could have been more nuanced. Despite these flaws, the film succeeds in sparking conversation. It’s a mirror to many real-life experiences, especially for women navigating toxic relationships. The dialogues are sharp, with lines that linger. The music and visuals elevate the emotional weight. Rahul’s direction is confident, though occasionally heavy-handed. The film’s unapologetic stance may polarize audiences. Those aligned with its message will find it powerful; others may find it preachy. Yet, it’s a film that deserves to be seen for its intent and performances. It’s not entertainment in the traditional sense—it’s a cinematic confrontation. The Girlfriend is a bold attempt to blend art with advocacy. It may not be perfect, but it is important.

Final verdict :- A bold, emotionally resonant film that challenges norms and rewards patient viewers
Rating :- 2.8/5